Taking portraits with Fujifilm Cameras

Taking Portraits With Fujifilm Cameras

Editor's note: Check out our newest ebook The Natural Portrait and learn how to create beautiful portraits in natural light.

P.S. Use the code July4 to get a discount of $4 off the normal price 🙂

I’ve already written about why I changed to Fujifilm from Canon and now I’d like to share my thoughts regarding the suitability of Fujifilm cameras (and mirrorless cameras in general) for portrait photography.

Before I used my Fujifilm X-T1 I had a few doubts about using it to take portraits. For example, how accurate is the autofocus when using prime lenses at wide apertures like f1.2? How good is the electronic viewfinder? If you end up missing moments because of slow autofocus or viewfinder lag then the camera isn’t really a good tool for portraits.

I read plenty of reviews before I bought the camera, paying attention to these points. I also tested the camera in the shop. As a result I was reasonably satisfied the camera would do what I wanted by the time I completed the purchase. But the only way to know for sure is to use it on a proper shoot.

Portrait of young woman taken with Fujifilm X-T1 camera

Above: Portrait taken with Fujifilm X-T1 camera and Fujinon 56mm f1.2 lens. I used an aperture of f1.2 for this portrait. It gives you an idea of the shallow depth of field you can create with this lens.

Fuji portrait lenses

There are three lenses that I like to use with my X-T1 for portraits.

Fujinon 56mm f1.2 lens. This is a short telephoto lens with a similar field of view to the 85mm lens that I used so much on my full-frame Canon digital SLR.

Fujinon 35mm f1.4 lens. A good lens for street photography or for taking portraits inside in limited space.

Fujinon 18mm f2 lens. Good for environmental portraiture where the model’s surroundings are an important part of the portrait, and for street photography.

All three are prime lenses. The first two have wide maximum apertures ideal for creating portraits with bokeh. They all come with lens hoods supplied, an important detail as lens hoods are an essential but often expensive accessory.

I’ve also used a Helios 58mm f2 lens, a Russian made manual focus prime lens that fits to the camera using a M42 screw mount adapter.

Portrait of woman taken with Fujifilm X-T1 camera

Above: A portrait taken indoors with the Fujinon 56mm lens. The model is lit by window light.

Using Fujifilm cameras for portraits

Here are my thoughts about using the X-T1 for portraits.

The vertical grip is essential for working with the camera in the portrait orientation. The grip makes holding the camera vertically much easier. If you’re thinking about buying a camera for portraiture, then buying one with a vertical grip is an excellent idea. If you're looking at the Fujifilm range specifically, then that means you'll need an X-T2 or an X-T1 as these are the only Fujifilm cameras with vertical grips.

The camera is much smaller than a digital SLR, even with the vertical grip attached. It’s also much lighter and I can use it comfortably with a wrist strap. It’s never felt too heavy or too big.

The 56mm f1.2 Fujinon lens is a great portrait lens. There isn’t much difference in depth of field between this lens at f1.2 and my 85mm at f1.8 on a full-frame camera. It’s nice that this lens has a shorter minimum focusing distance than my old Canon 85mm lens, as I can get closer to the model with it.

Black and white photos of man making a wooden flute

Above:The Fujinon 56mm lens is ideal for taking portraits (left) and for capturing fine details (right).

The autofocus of the Fujifilm X-T1 is fast and precise. It had no problem focusing accurately at f1.2 in low light. I like being able to rely on the accuracy of the focus without having to worry about whether the lens is focusing where it’s supposed to. There is no need for autofocus micro-adjustment on mirrorless cameras – a great advantage over digital SLRs especially when using them with prime lenses.

The 49 autofocus points provide a lot of freedom when it comes to composition. It’s easy to switch points and focus accurately on the model’s eyes no matter how the photo is composed. For portraiture, the more autofocus points your camera has the better. If you have a digital SLR you need more cross-type autofocus points. These are the only ones you can rely on to focus accurately when using apertures wider than f2.8.

The Film Simulation modes bring a level of depth and beauty to the photos that's missing from other digital cameras. Fujifilm’s equivalent of Canon’s Picture Styles and Nikon’s Picture Controls are better thought out than the other manufacturer’s camera profiles. They are also available in Lightroom so you can use them when developing Raw files.

The quality of the electronic viewfinder is superb. It’s bigger than any digital SLR viewfinder (including full-frame professional cameras). The image is bright even in low light and there’s virtually no lag.

The electronic viewfinder helps with composition. Optical viewfinders display a three-dimensional view and you have to learn how that translates into two dimensions. Electronic viewfinders show you a two-dimensional view, helping you visualize the final result.

The electronic viewfinder displays the scene in monochrome when you set Film Simulation to black and white. It helps you see tonal contrast, line and other compositional elements without being distracted by color. Shoot in Raw, and you still capture a full color file that you can process any way you want.

The optional live histogram helps you get exposure right before you take a photo. It’s quicker than checking the histogram afterwards.

The small form factor of the X-T1 plus the quiet shutter create a different dynamic than a larger camera when shooting portraits. The model seems more relaxed – even experienced models have told me they feel tense and under pressure when the photographer uses a big lens. This applies to formal shoots, but even more so to street and travel photography where people take less notice of a small mirrorless camera than they do of a large digital SLR.

The camera accepts many older lenses via mount adapters. It's ideal for experimenting with older optics that you can buy inexpensively from eBay and similar websites. The electronic viewfinder allows focus peaking and even has a dual screen mode that shows a magnified section of the scene next to the main image to help you focus accurately.

Portrait of a woman taken with Helios 58mm f2 manual focus lens on a Fujifilm camera

Above:I used the Helios 58mm f2 lens to create this portrait. This manual focus lens is noted for its swirly bokeh effect, which you can see in the background.

Fujifilm X-T1 dual screen display

Above: One of the benefits of electronic viewfinders is that you can customize the display. You can set the Fujifilm X-T1 to show a dual display with manual focus lenses. The inset shows an enlargement of the area under the active autofocus point to help you see whether you have focused accurately.


I’m delighted with the performance of the Fujifilm X-T1 camera for portraiture. Does it have any disadvantages? Of course – no camera is perfect – but not many. My main gripe is poor battery life. But that’s not a practical consideration when I use the vertical grip (which has room for an additional battery).

The X-T1 gives me a freedom that my EOS 5D Mark II didn’t. I can carry the camera around for longer without getting tired. I have the freedom to compose my portraits how I want thanks to the 49 point autofocus array. The excellent high ISO performance also gives me another type of freedom – the ability to shoot in low light.

The truth is that I feel liberated. My Fujifilm camera has freed me from the restrictions imposed by the size and weight of my digital SLR.

Street photo of man dressed as a pirate and painted in gold taken in Cadiz with a Fujifilm camera

Above: A portrait of a street performer in Cadiz taken with the Fujinon 35mm f1.4 lens.

Portrait of young woman taken indoors with Fujifilm camera

Above: I made this portrait with the Fujinon 35mm f1.4 lens. There wasn't enough space to step back and use the 56mm lens.

Portrait of woman sitting on doorstep of gypsy caravan and playing a guitar.

Above: Environmental portrait made with Fujinon 18mm f2 lens. This portrait tells a story about the relationship between the background (a gypsy caravan built by the model) and the model herself. A wide-angle lens is useful for capturing the scene.

Street photo of food vendor taken in Xi'an, China with Fujifilm camera

Above: Food vendor in the muslim quarter of Xi'an, China. The Fujinon 18mm lens is very good for street photography.

Further reading

The Natural Portrait ebook

Learn how to take beautiful portraits in natural light with our popular ebook The Natural Portrait.


The Natural Portrait

About Andrew S. Gibson

Andrew S. Gibson is a writer, publisher, traveler, workshop leader and photographer based in the UK. He started writing about photography while traveling in Bolivia, and has been published in many prestigious photography magazines including EOS magazine, where he worked as a Writer and Technical Editor for two years. He is inspired by meeting new people, seeing new places and having new experiences. Check out his photography ebooks here.


  1. I enjoyed your article on portraits with Fujifilm thanks Andrew, and it leads me on to a question for your Q&A’s:

    “The one aspect of my Fujifilm X-T1 that has been less than satisfactory is the way it renders skin tones in some circumstances.

    I first experienced disappointing results when shooting outside, with the settings Aperture Priority, image quality on FINE, and Astia Film Simulation, using my 18-135mm lens. The result was unnatural looking waxy skin that got worse as the light got lower and the ISO was automatically increasing.

    I’ve done some reading, and find the situation can be much improved by using the Manual setting, RAW image quality, Standard Film Simulation, and setting the Noise Reduction to Standard (which I presume is Off).

    Is there anything else I can do, or any more you can tell me about this issue? I’ve read and heard enough to know that it’s a problem other Fuji users encounter, and I’ve been upset to find it myself in a camera that I absolutely love and enjoy in all other respects.”

    Many thanks Andrew, for any information you can provide.

    1. Author

      Hi Alison, what an interesting question. I always use Raw, and I haven’t experienced the problem you are describing. Without seeing one of your photos it isn’t possible to say for sure, but it sounds like smearing caused by in-camera high ISO noise reduction. When you use Raw it doesn’t matter what Film Simulation setting you chose as you can change it in Lightroom’s Camera Calibration panel (if you use Lightroom that is). It doesn’t matter what the Noise Reduction setting is either as Lightroom ignores it. I usually find that Lightroom’s default Noise Reduction settings work fine and don’t need tweaking. Feel free to send me a photo with the waxy effect you described so I can see it.

  2. I’ve used the X-T20 for events and school photojournalism for two years. Frankly, although the X-T20 gives beautiful, highly croppable photos, for portraits my former Canon 6D and the unexcelled 135mm F2 lens blow that X-T20 completely out of the water. Am brainstorming how to afford a beat-up 6D and good 135 and keep the X-T20. Different strokes for different photos.

  3. These are the only examples of what a mirrorless Fujifilm SLR can do that actually look like they were taken by someone who should be allowed to purchase a camera in that price-range. Thank you.

Leave a Comment