Four Composition Techniques To Improve Your Photos

Four Composition Techniques To Improve Your Photos

Editor's note: This month only – check out our brand new Creative Assignment Cards (all 250 of them) for just $19! Click here to learn more. Thanks for reading, Andrew.

To help with those of you doing the assignments in my new ebook 100 Composition Assignments I thought it would be interesting to explore four techniques that will help you improve your composition right away. None of them are complicated to remember, and if you can put them all into practice you’ll see a dramatic improvement in the quality of your photos.

Composition technique #1: Go beyond the rule of thirds

The rule of thirds is basic composition theory. It’s important to understand what it is and why people recommend you use it. But the mistake some photographers make is using the rule of thirds all the time – and not learning anything else about composition. Mastering the rule of thirds doesn’t mean that you’ve mastered composition. The reality is that you’ve only scratched the surface of what there is to know.

For example, take a look at the photo below.

composition techniques

If we lay a grid on top we can see that I composed the photo according to the rule of thirds. I positioned the car in the bottom third of the photo and it covers two of the intersection points.

Rule of thirds in composition

But is the rule of thirds the only principle of composition used in this photo? No, it isn’t. Let’s look at the other factors.

  • Color contrast. The blue car and pink house are an interesting color combination. This is one of the things that attracted my attention.
  • Texture. There are lots of interesting textures in the photo, from the blue car’s battered paintwork, to the rust on the garage door and the weathered concrete.
  • Diagonal line. The car is angled to create a diagonal line within the frame (yellow in the diagram below). This line intersects with the diagonal lines created by the buildings (red in the diagram below). Diagonal lines add a sense of visual energy to the composition by encouraging the eye to follow them around the frame.

Diagonal lines in composition

  • A sense of place. I made this photo on a quite afternoon in the city of La Plata in Argentina. The old car, the square patterns in the driveway and the style of the housing are all typical of this neighborhood. These are not obvious to people who have never been there, but instantly recognizable to people who have.
  • Muted light. I made the photo near the end of a late autumn day. The light was fading, dusk approaching. The soft quality of the light helps bring out the color and texture in the scene.

As you can see there’s much more happening in this photo, from the point of view of composition, than simply placing the car on a third.

Better still, once you start to recognize these ideas and understand how they work you can use them in other photos.

Composition technique #2: Include foreground interest

Foreground interest is, like the name suggests, when you include something interesting in the foreground of a photo to look at. You see it a lot in landscape photos made with wide-angle lenses.

I deliberately composed the photo below, made with a 14mm lens (on an APS-C camera) to include part of another stone jetty, so that there is something interesting in the bottom third of the frame. It makes the composition more interesting by giving the eye two focal points to move between – the jetty and lighthouse in the distance, and the concreted surfaces in the foreground.

Foreground interest in composition

This technique also applies to documentary and travel photos made with wide-angle lenses.

I made the following photo with the same 14mm lens. I moved in close to the man’s wok so that it filled the foreground, creating interest but also telling a story about the scene by providing context and showing the viewer what the man was doing. The pan in the foreground is an important part of the composition.

Foreground interest composition techniques

Composition technique #3: Pay attention to the background

Background is another important element of storytelling. In the photo above of a man cooking with a pan we can also see lots of detail in the shop behind him, from the gas cylinder through to the man in the background. These give the viewer something interesting to look at and contribute to the story by providing context, atmosphere and a sense of place. The details are an interesting and important part of the photo.

Sometimes the opposite approach is required and you need to blur the background to remove distractions. Part of the skill of being a photographer is knowing when to blur the background and when to keep it sharp.

Here’s a photo that is similar in theme (people cooking in the street) to the previous one, but made in China rather than India. I made this photo with a 58mm lens, which is a short telephoto on my APS-C camera, and a wide aperture of f1.2 to blur the background. This has the effect of blurring a potentially fussy background, but there’s still enough detail to create a sense of place and provide context.

Background in photographic composition

You’ll make great improvements to your photos by thinking about the background, taking care to make sure it suits the subject of the photo, and deciding how sharp or how blurred you want it to be.

Composition technique #4: Work the subject

Working the subject means that you take as many photos as you can until you’ve exhausted all the creative possibilities. Sometimes you only need to take three or four photos for this to happen. At other times you may take 20 or 30.

Either way, the idea is to explore different viewpoints and compositional possibilities. Try different points of view, different focal lengths, and maybe even different aperture and shutter speed settings to see if you can make a better composition.

A good question to ask yourself is, “How can I make the photo more interesting?”

This is where you can think through some of the concepts discussed earlier in the article. Perhaps you need to pay more attention to the background. Maybe you need to include some interesting foreground detail.

Perhaps the photo would benefit from including some diagonal lines or atmospheric color combinations. The answers depend on the subject and how much time you have to explore it.

To give you the idea, here’s a sequence of four photos I made of a historical building, from different points of view and with two different lenses.

Composition techniques

Composition techniques and working the subject

Working the subject in composition

Working the subject in composition

100 Composition Assignments100 Composition Assignments

If you liked the ideas in this article then you’ll love my new ebook 100 Composition Assignments. It’s like a workshop in your pocket, with 100 assignments to light a fire and help you improve your compositions skills.

Click here to learn more or buy the ebook

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About Andrew S. Gibson

Andrew S. Gibson is a writer with a camera. He started writing about photography while traveling in Bolivia, and has been published in many prestigious photography magazines including EOS magazine, where he worked as a Writer and Technical Editor for two years. He lives in south Devon in the UK and is inspired by meeting new people, seeing new places and having new experiences. Check out his photography ebooks here.

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